How to Match Cameras with Color Charts
Need to match different cameras or shots with different lighting conditions? If … View Post →
Color
10 Essential Colorist Workflow Tips
Number 9 blew my mind. I don’t mean for this to be … View Post →
A Beginner’s Guide to Color Management
In today’s age of raw formats, LOG recording, and multi-cam projects, Color … View Post →
Improving Footage with Noise Reduction
Shot in low light? Missed some settings while shooting? You may have … View Post →
Quickstart Grading Guide for Beginners
When starting to learn color grading with DaVinci Resolve, you may have … View Post →
Importing Film Scans into DaVinci Resolve
Ever worked with a project shot on film? Please are still doing … View Post →
Using the RGB Mixer to Fix Poorly Shot Footage
Sometimes the footage sucks. That’s never the goal when shooting of course, … View Post →
Color Grading Using a Bleach Bypass Look
The “bleach bypass” or “skip bleach” technique was popular in creating a … View Post →
Using Composite Modes With Serial Nodes
If you’ve worked with image editing tools or VFX compositing, you may … View Post →
How to Install LUTs in DaVinci Resolve
If you’re working with Color, you’ll probably need to install a LUT … View Post →
Using DaVinci Resolve’s Remote Monitoring Feature
Grading for a remote client? You can now share your screen over … View Post →