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Color

How to Match Cameras with Color Charts

Need to match different cameras or shots with different lighting conditions? If … View Post →

10 Essential Colorist Workflow Tips

Number 9 blew my mind. I don’t mean for this to be … View Post →

A Beginner’s Guide to Color Management

In today’s age of raw formats, LOG recording, and multi-cam projects, Color … View Post →

Improving Footage with Noise Reduction

Shot in low light? Missed some settings while shooting? You may have … View Post →

Quickstart Grading Guide for Beginners

When starting to learn color grading with DaVinci Resolve, you may have … View Post →

Importing Film Scans into DaVinci Resolve

Ever worked with a project shot on film? Please are still doing … View Post →

Using the RGB Mixer to Fix Poorly Shot Footage

Sometimes the footage sucks. That’s never the goal when shooting of course, … View Post →

Color Grading Using a Bleach Bypass Look

The “bleach bypass” or “skip bleach” technique was popular in creating a … View Post →

Using Composite Modes With Serial Nodes

If you’ve worked with image editing tools or VFX compositing, you may … View Post →

How to Install LUTs in DaVinci Resolve

If you’re working with Color, you’ll probably need to install a LUT … View Post →

Using DaVinci Resolve’s Remote Monitoring Feature

Grading for a remote client? You can now share your screen over … View Post →

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Subtractive Saturation Color Grading & Film Emulation

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