Are you using Resolve Color Management to get the look you want?
If you haven’t tried it out yet, it may be because you don’t want to fiddle with extra options, which is totally fine. However, you may be missing out on a powerful tool that can improve your workflow…
Especially if you work with footage from many different cameras.
In this in-depth guide, Waqas Qazi takes you through a color management workflow, covering topics such as:
- DaVinci Wide Gamut
- Color Space Aware Grading Tools
- Other ways of normalizing your footage
- Setting up RCM (Resove Color Management) in your project settings
- Grading in Rec709 vs grading with DaVinci Wide Gamut
Have you tried Resolve Color Management? What do you think? Leave a comment below!
Gedaly is the Managing Editor of DVresolve.com. He is a professional editor, having cut national commercials for major companies, and does color & VFX for indie films at Mask & Feather. He’s also a filmmaker, writing and directing shorts & features. Gedaly is the co-founder of Working.Actor and former marketing strategist for large brands.
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This looks very beneficial however I have a cannon eos 250D. As far as I know, I cannot shoot flat or in log mode. Is there a way that color management can still help me?