Did you use a digital slate or other timecode device when recording?
Syncing multiple cameras and audio recorders is easy when you have timecode to reference.
One great options to try are the Tentacle Sync and Deity TC-1.
DaVinci Resolve also has a built in method to sync based on audio waveforms, but using timecode can be much quicker and more accurate.
Especially when using several cameras that might not hear the same thing on the scratch audio track.
You can sync timecode that is stored both via metadata or audio track. You can even manually type it in if you have a timecode slate on screen.
In this video from Team 2 Films, you’ll learn about:
- 00:29 LTC (Audio Timecode)
- 01:58 Manual Timecode
- 02:49 Syncing
- 03:42 Multicam Clips
Gedaly is the Founder and Lead Educator of DVResolve.com and is Blackmagic Design Certified Master Trainer. He’s edited commercials for major brands and has done color & VFX for independent films. He consults on post-production workflow and creating online education. Gedaly is the co-founder of Working.Actor, a former marketing manager for large brands, and creates original film projects with his production company Razee.
Me gustaría que se pueda poner distintos colores a las líneas de tiempo en edit.
De esa forma se pueden visualizar mejor como era en Final Cut Pro 7.
Gracias y muy buenos lis aportes.