Working on sound for a big theater? Dolby Atmos is one popular audio format for presenting surround sound in theatrical films.
The amount of options for working in Fairlight are truly staggering to me, a non-audio type of person. It’s easy to forget just how much power Resolve has.
If you’re planning on using it, Dolby Atmos is a DaVinci Resolve Studio-only feature.
In this video from Michael G Wagner, you’ll learn about:
- Importing Audio
- Project Settings for Atmos
- Setting audio outputs
- Creating a timeline
- Setting up Atmos 7.1.2
- Bus assignments
- Patch input/output for routing audio
- Automation
- Exporting audio
Gedaly is the Managing Editor of DVResolve.com and a Blackmagic Design Certified Trainer. He’s edited commercials for major brands and has done color & VFX for independent films. He consults on post-production workflow and creating online education. Gedaly is the co-founder of Working.Actor, a former marketing manager for large brands, and creates original film projects with his production company Razee.