Working on sound for a big theater? Dolby Atmos is one popular audio format for presenting surround sound in theatrical films.
The amount of options for working in Fairlight are truly staggering to me, a non-audio type of person. It’s easy to forget just how much power Resolve has.
If you’re planning on using it, Dolby Atmos is a DaVinci Resolve Studio-only feature.
In this video from Michael G Wagner, you’ll learn about:
- Importing Audio
- Project Settings for Atmos
- Setting audio outputs
- Creating a timeline
- Setting up Atmos 7.1.2
- Bus assignments
- Patch input/output for routing audio
- Automation
- Exporting audio
Gedaly is the Managing Editor of DVresolve.com. He is a professional editor, having cut national commercials for major companies, and does color & VFX for indie films at Mask & Feather. He’s also a filmmaker, writing and directing shorts & features. Gedaly is the co-founder of Working.Actor and former marketing strategist for large brands.